ORPHAN – Textual Analysis
Title: Orphan
Release Date: July 24th 2009
Director: Jaume Collet -Serra
Genre: Horror/Drama
Sub Genre: Psychological Horror
Title: Orphan
Release Date: July 24th 2009
Director: Jaume Collet -Serra
Genre: Horror/Drama
Sub Genre: Psychological Horror

Orphan was released theatrically on July 24th, 2009. Jaume
Collet-Serra was the director of the movie. The movie is of a
psychological-horror genre which shares similar genre conventions as my media
film sequence “Corky”.
My film sequence has themes such as possession, death and supernatural
features which Orphan also does as a grown woman is possessed by the younger
version of herself who she can’t seem to be free from, as she has a disease
that has stunted her physical growth.

where Esther is finally revealed as
“Leena” the thirty-three year old woman
who has been inside Esther’s body.
Leena is then killed by Kate (Esther’s adoptive mother)

Levi-Strauss’ theory of binary oppositions allowed me to apply that theory within my analysis. Orphan has a “Young Vs Old” opposition involved. The movie is centred around Esther trying to become the woman she had always wanted to become but that wasn’t possible due to age, she could never be loved by Max as how he loves his wife Kate as she was a grown woman and Esther had the physical appearance of the young girl. The Young vs Old opposition is also present when Esther/Leena bullies and manipulates the younger children to do things for her. She being much older mentally than them creates that divide between Young and Old. Orphan is written in chronological order which is a part of the Genre conventions of Horror as they don’t like to dwell on the past and most are set in present. The narrative transforms from restricted to omniscient as the audience was not told Leena was trapped inside Esther's body until the later stages of the movie.
The characters were typical of the genre in the sense that
they were a middle class Caucasian family which in most horror movies people of
the Caucasian race are casted. Movies such as “The Devils Child” (2007) and
“Mama”(2012) which had a Caucasian couple taking care of two girls related to the
male of the couple. The behaviour of the
couple in general was depressive and bleak as both had just lost their newborn
baby and Kate had started drinking alcohol again. This is typical of the
behaviour of people in Horror movies as characters aren’t straightforward and
living perfect lives, there is always some baggage the characters have to deal
with. For example in the movie in “Mama”(2012) a couple is left to deal with
two girls that were left alone in a forest for five years, which is far from normal
which reinforces the dysfunctional lives people in horror’s lead. Facial expressions which were included were
glum, apprehensive and disturbing which is symbolic of the genre of the movie,
in this situation Kate was apprehensive about Esther’s past and possessed
negative facial expressions. Costumes worn in Orphan were very symbolic as
Esther always wears ribbons on her neck and wrists to cover up her scars; this
is special to the genre as it creates a narrative enigma.
Sound is very important in the Horror genre as it creates
the generic conventions Horror movies has to offer, which is a feeling of
terror and anxiety. Orphan uses sound very well by the use of violins and Piano
which creates an apprehensive atmosphere for the audience.
Low key lighting is used throughout the movie which is a
typical convention as it creates a darker mood in a scene. An example of low
key lighting being used in Orphan was the scene where Esther was walking into
her room and you could see her shadow.


The storyline of Orphan is typical of the genre as it shows
a family who has emotional baggage such as the recent death of a new-born baby.
Having Esther introduced to disrupt the equilibrium is typical of the horror
genre as it provides that tension and shock factor the audience is used to
watching these movies for. “Drag Me to Hell” (2009) shares similarities with
Orphan as the character Christine Brown has many problems that are affecting
her life, similar to Kate who has just had a miscarriage. Esther being the
protagonist in the movie can be related to “The Exorcist” (1973) as there is
also a young female lead involved.
Extract – Esther’s secret is revealed
There is a POV shot of Esther walking into her room which
gives the audience the feeling of being in Esther’s state of mind. The POV shot
is also done as a revelation and allowing the audience to understand what is
going on by “being the character”. There is then a jump cut between Esther’s
face and the paintings which was done to give off an anxious effect for the
audience watching, there is a cut between each painting and each light up when
shown which was to emphasise the significance of all the paintings for the
audience. Non-diegetic sounds of violins
are used to build of tension and anxiety in the scene. An extreme close up shot
of Esther is shown then there is a fade out into the next scene which leaves
the audience feeling anxious on what’s next to come, something movies of the
Horror genre do a lot. There is then a Close Up shot of Esther crying on her
bed with mascara running down her cheeks, The mascara is black which further
reinforces the genre conventions of Orphan as black is very typical of Horror
and so is the feeling of unhappiness.
Diegetic sounds of a telephone is heard when Kate’s phone rings in the
hospital, cross cutting is used when both Kate and the Doctor have a
conversation via telephone to show the actions of both characters in the scene.
A low angle is used of Esther’s picture to make it clear who the conversation
is about. Extreme close ups are used on both Kate and the Doctor as the
conversation gets more and more serious. A cross cut is then used of Esther crying by
herself when Kate is explaining to the doctor that he’s wrong about Esther’s
identity. A Cross cut is then used back to the Doctor explaining Esther’s true
identity, An extreme close up and yellow highlighting is used on screen to
emphasise the real age of Esther to the audience which reflects the change in
the narrative from restricted to omniscient.

ORPHAN POSTER ANNOTATION
ORPHAN POSTER - WRITTEN ANALYSIS
The title “Orphan” is one word which is common in a lot of
Horror movies, Such as “Scream” and “Mama” who both have strong one word
titles. “Orphan” has a negative meaning
as it is an idea of abandonment, being alone and not valued which gives the
audience an idea of the narrative.
Esther is positioned directly in the middle of the poster
which gives us the idea that she is the USP. Esther is the selling point to the
audience as it’s clear from the positioning of her image that everything is
about her. She is the star of the show and she will be heavily involved in the
plot/narrative once the movie starts. The clothing Esther wears in the poster
are of very dark and mellow colours
which is typical of the Horror genre as bright colours are not associated with
Horror. Esther is represented as an innocent young girl on the poster by the
use of the ribbons and ponytail used in her hair which is symbolic of a young
girl who is attending primary/elementary school.
The tagline mentions she is hiding something so there is an
ambiguous connotation presented in her character. A Rhetorical question is used which invites
the audience onto the journey the film will be going on. Doing this gets the
audience involved into the plot/narrative. The effect of the tagline is that it
gives off a negative connotation to the audience. Makes the audience anxious to
know what the problem with Esther really is. Target audience for Orphan would
be for those who are a fan of psychological/horrors with “possession of
spirits” involved. Fonts used are White and red colour are used throughout the poster, there is a
juxtaposition between both the colours as they mean different things, with
“Red” having negative connotations of death and violence and “White” positive
such as purity and peace.
Esther is typical of other characters used in Horror movies
as she goes against what people would deem “dangerous” someone of her gender
and age are viewed upon the most vulnerable in society. She is shown as a
little girl on the poster as it will surprise people when watching what she can
really do, as nothing is expected of her. This is typical of the horror genre
as it all about surprises and revelations.
The mis-en-scene portrayed on the poster is typical of the
genre of movie. The costume Esther is wearing is symbolic of the plot as the
ribbons in her hair and neck which is shown onto the poster is later revealed
in depth why it is worn, so there is a sense of secrecy and ambiguity shown on
the poster for the audience. Her facial expression is blank which doesn’t give
away any hints to her character at all which could due to not wanting to reveal
too much to the audience. Focus is shown on her eyes which is a key element as
you are more likely to connect through the eyes than anywhere else.
On the socio economic grade those of a C1 grade or higher
would be targeted due to those social groups having occupations and lifestyles
regarded as more appropriate in society(bank clerk, sales person) compared to a
skilled manual workers of the C2 grade who may not understand the type of
narrative Orphan entails.
ORPHAN REVIEW ANALYSIS
nytimes.com
This review
of Orphan was written and published by America’s most popular daily newspaper
“The New York Times”. I found this
review very critical and informal written by Manohla Dargis.
Manhola
Dargis instantly focuses on the presentation of the characters and makes it
clear from the beginning as she mocks the actors Vera Farmiga and Peter
Sarsgaard for the roles they play in the film.
In the first paragraph of the review Dargis states that she was
surprised the actors weren’t laughing throughout the filming of the movie,
which reveals the patronising nature she takes throughout the review. Dargis
then goes onto explain the narrative of the film and the running time being too
long which she criticises “for a dopey “boo” movie” which has negative
connotations with “boo” giving off a negative response. Additionally Dargis
uses this to also criticise other parts of the movie “as in creaking sound plus
abrupt visual cut equals” and “with a comically contrived premise”. The editing
style, sound and narrative foundation are criticised by calling it “comical”
which is something that shouldn’t be taken seriously. Dargis then goes onto explaining the plot of
the film, giving a character profile of the protagonist “Esther”. Dargis seems
to draw attention to the genre conventions of the movie “She has her evil way
with the family, as expected” which reminds the audience that it’s a Horror
movie and it is predictable and they will expect it.
The director
of the movie Jaume Collet-Serra is then brought up by Dargis, “House of Wax” is
mentioned beside Collet-Serra’s name as it gives a cross reference to that film
as he also directed it and is most famous for that. It is also to create
further contextual information. Dargis does not hold back and condemns
Collet-Serra’s work on the movie “appears to have lost a sense of narrative
economy during his move from the small screen to the big.”
Highlighting
Collet-Serra’s transition from small screen to big screen, not living up to
expectations, ridicules him in the process as Dargis makes it seem he wasn’t
focused throughout the making of the movie and was caught up by the budget he
had.
Dargis
further goes onto critiquing the movie for having a big budget something,
lacking substance in the process. She then further condemns Collet-Serra’s use
of camera choices throughout the movie and mocks them “a shift in focus that
led me to think we were meant to find a clue in the carpeting when, really, all
that had gone missing was a point of view” which explains the technical errors
Collet-Serra made during the filming process.
Coming to
the end of the review, the age certificate is mentioned with sarcasm from
Dargis “bloody violence, much of it directed at the young characters and some
kitchen-counter coitus interruptus.” which further highlights the informal nature
of the review.
Digitalspy.com
This review
of Orphan was written and published by one of Britains most popular media and
entertainment websites Digital Spy.
Mayer Nissim
pays attention to the tagline of the movie “You’ll never guess her secret”
which is symbolic as the reader may have seen the promotional poster and wanted
to get the viewpoint of what someone else’s interpretation of it could be.
Nissim makes a joke of the tagline being comical when watching the film, Nissim
then uses a cross reference to other horror movies which shares the same predictability
factor as Orphan “Psycho” and “Friday the 13th” and mentions that
Orphan is even more predictable than those movies as it follows the generic
conventions of it’s genre. Nissim completely destroys any hope and expectations
the reader may have of Orphan by possibly seeing the trailer/poster.
Nissim goes
onto explaining his reasons for the films predictability by mentioning scenes
in the movie he thought were badly created. He mention then turns to the
director Jaume Collett-Serra and his involvement in the movie “House of Wax” is
mentioned as others may have heard or watched that movie which he directed,
therefore making creating an intertextuality. The critique continues from
Nissim “the whole project is put together with such little flair that it really
would be better for you to save your pennies” he criticises the direction
Collett-Serra has taken the movie and tells the audience to save their money
which is a strong comment to make in an review as it now changes the audiences
mind completely as a majority of consumers do not want to invest their money into
something not worthwhile.
The focus
then turns to the actors performances and Nissim brings up “Aryana Engineer”
one of the stars of the movie and praises her performance in the film; “The
performances across the board are strong, with Engineer's turn as a deaf
toddler the most impressive” this gives the reader insight into that particular
actor as they may have watched them in other movies and interested to see how
they play their role in this movie. Nissim seems to give a backhanded
compliment here as he then goes onto say “but the acting is wasted on a script
so hoary that you can't quite believe how little it deviates from your expectations.”
He commends the acting but disapproves of the screenwriter’s job of writing a
“hoary” script which doesn’t give the acting the credit it deserves.
The last
stages of the review, Nissim mentions the controversy the title of the film has
had which is always important as some readers may be even more intrigued about
watching due to media controversy. A cross reference is once again used by
Nissim which is the contrast in the movie “The Omen to Single White Female” and
Orphan, both movies are of different genres but Nissim makes it clear that’s
what’s so comical about Orphan as it shares a similar ending to a completely
different genre of movie.
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